Showing posts with label Katsushika Hokusai. Show all posts
Showing posts with label Katsushika Hokusai. Show all posts

Monday, July 19, 2021

Early morning in July with almost finished mandala / "... the enormous invulnerable beauty ..." / Painting Dream / The horse I drew when I was 5 years old / "Wild Things Run Fast"

 

This early morning I suddenly remembered a poem I first read when I was 18 or 19 years old, at which time I had determined that I was decidedly not religious.  From that poem I understood that one does not need to be a religious person to live gratefully and fully in the presence of beauty.  My desire all those years ago was to become an artist.  

I remember reading this that Hokusai wrote when he was about the same age I am now.  It was early in my blogging days, when I was 57 years old, that I came across that quote.  Although I had experienced an extraordinary amount of creative energy for art work and poetry during the 1980s and early 1990s, I could no longer find it in me after the abrupt death of my mother in December 1994.  There were brief periods where I thought the energy for art work had returned.  

It is occurring to me today that my creative energy was totally channeled into blogging until September 2014 when something prompted me to do what my mother had done when she was about the age I was in 2014.  Inspired by Carl Jung, my mother began a series of mandalas.

This morning, as I look at my almost-finished mandala, #62 in a series, I have found an expanded version of that quote by Hokusai and an unexpected gratitude to my mother for inspiring in me a love of art and books and the beauty of the world:

"From the age of six I had a mania for drawing the shapes of things. When I was fifty I had published a universe of designs. But all I have done before the age of seventy is not worth bothering with. At seventy-five I'll have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am eighty you will see real progress. At ninety I shall have cut my way deeply into the mystery of life itself. At one hundred, I shall be a marvelous artist. At 110, everything I create; a dot, a line, will jump to life as never before. To all of you who are going to live as long as I do, I promise to keep my word. I am writing this in my old age. I used to call myself Hokusai, but today I sign myself The Old Man Mad About Drawing."

*

This is the poem I read in 1967 or 1968:

Nova

That Nova was a moderate star like our good sun; it stored no
doubt a little more than it spent
Of heat and energy until the increasing tension came to the
trigger-point
Of a new chemistry; then what was already flaming found a new
manner of flaming ten-thousandfold
More brightly for a brief time; what was a pin-point fleck on a
sensitive plate at the great telescope's
Eye-piece now shouts down the steep night to the naked eye,
a nine-day super-star.


                                        It is likely our moderate
Father the sun will some time put off his nature for a similar
glory. The earth would share it; these tall
Green trees would become a moment's torches and vanish, the
oceans would explode into invisible steam,
The ships and the great whales fall through them like flaming
meteors into the emptied abysm, the six mile
Hollows of the Pacific sea-bed might smoke for a moment. Then
the earth would be like the pale proud moon,
Nothing but vitrified sand and rock would be left on earth. This
is a probable death-passion
For the sun's planets; we have no knowledge to assure us it may
not happen at any moment of time.

Meanwhile the sun shines wisely and warm, trees flutter green
in the wind, girls take their clothes off
To bathe in the cold ocean or to hunt love; they stand laughing
in the white foam, they have beautiful
Shoulders and thighs, they are beautiful animals, all life is beautiful.
We cannot be sure of life for one moment;
We can, by force and self-discipline, by many refusals and a few
assertions, in the teeth of fortune assure ourselves
Freedom and integrity in life or integrity in death. And we know
that the enormous invulnerable beauty of things
Is the face of God, to live gladly in its presence, and die without
grief or fear knowing it survives us.

-- (John) Robinson Jeffers, (1887-1962), Poet, writer; born in Pittsburgh, Pa. He attended six colleges and universities in Europe and America, studying medicine and forestry among other subjects.

*

Painting Dream (2000 -- 50 years old)

No one can paint this desire.
No one can paint this forgiveness.
Her hand drawing his.
His hand drawing hers.
They carry silence between them
as if it were a newborn child.
In my dream we were an old man and an old woman walking by the ocean.
Who painted this desire?
Who painted this forgiveness? 















*

I remember looking up from drawing and hearing my mother praising me for this drawing of a horse I made when I was 5 years old.  I am grateful that she saved it.



Sunday, August 30, 2020

Connection through time and open hearts



Thank you to a dear friend in California who sent me a link to this article about a woodblock made by Katsushika Hokusai in 1830 to 1832 (click on this link and then scroll down to see pictures and read article)

Timeline for the United States from Wikipedia






In the pre-dawn hours, after The Pleiades and Orion have risen in the sky to the east:



"... and knowing that your heart is your home ... the seat of your strength ...

Understanding that the whole world pulses there ... in the divine nexus of your heart ... where all the delicate, luminous strands converge ... glistening and glowing ... in the unseen web that connects us all, one to the other ...

And suddenly you are certain ... you know with your whole heart ... that you are healing ... that you will continue to heal .. that your heart has always been whole ... that whatever you thought was lost ... still abides there ... whatever seemed unforgiven ... is redeemed there ... that whatever appeared to be shattered by grief ... is made whole there ... that there is nothing in this world that can't be healed ... in the vast space of your own open heart ..."

(Stage 3 guided imagery from Invisible Heroes: Survivors of Trauma and How They Heal  by Belleruth Naparstek)

Early morning light:



Synchronicity?  When I checked my email after posting this, I found words from the open heart of Octavia Butler

Sunday, August 1, 2010

Talking Karmic Debt Blues / Like The Moon And The Stars And The Sun






















Listen.

This morning I was listening to Jakob Dylan's CD "Seeing Things" in my car just before 9 a.m. He was singing "Everybody Pays As They Go":

Look up and see the men returning
In their winter coats
Some of them in one piece
Some of them got rolled
Some less than others
Some right through the nose
But everybody pays as they go
Young old rich and poor
Your mother she too owes
Cuz everybody pays as they go.

I thought of John Lennon's song "Instant Karma":

Instant Karma's gonna get you,
Gonna look you right in the face,
Better get yourself together darlin',
Join the human race,
How in the world you gonna see,
Laughin' at fools like me,
Who on earth d'you think you are,
A super star,
Well, right you are.

When I woke up this morning and turned the calender next to my bed to August 1, I found a wonderful woodblock print by Katsushika Hokusai (1760-1849). Above is a detail from "The Hanging-Cloud Bridge at Mount Gyodo, near Ashikaga," which can be seen at Museo Chiossone in Genoa, Italy.

Well we all shine on,
Like the moon and the stars and the sun.
Well we all shine on,
Like the moon and the stars and the sun.
Well we all shine on,
Like the moon and the stars and the sun.
Yeah we all shine on,
Like the moon and the stars and the sun.

(Recorded by John Lennon on 27 January 1970 and released on 6 February 1970, it ranks as one of the fastest-released songs in pop music history, recorded (at London's Abbey Road Studios) the same day it was written, and coming out only ten days later. Lennon remarked to the press, he "wrote it for breakfast, recorded it for lunch, and we're putting it out for dinner.")
















Thanks to the Turtleback Dome webcam for the sunlight of the spirit image from Yosemite Valley.

Thursday, September 20, 2007

RAINY DAY / OBOE THE CAT AT ALMOST TWO YEARS OLD / HOKUSAI






































I have been in love with painting ever since I became conscious of it at the age of six. I drew some pictures I thought fairly good when I was fifty, but really nothing I did before the age of seventy was of any value at all. At seventy-three I have at last caught every aspect of nature -- birds, fish, animals, insects, trees, grasses, all. When I am eighty I shall have developed still further, and I will really master the secrets of art at ninety. When I reach a hundred my work will be truly sublime, and my final goal will be attained around the age of one hundred and ten, when every line and dot I draw will be imbued with life.

-- Katsushika Hokusai / Gakyō Rōjin Manji (The Old Man Mad About Art)