Tuesday, April 16, 2024
Love / Update June 1, 2025
Thursday, March 21, 2024
Walking / O California (the landscape of my younger days)
Friday, January 19, 2024
Celebrating Janis Joplin's 81st Birthday with gratitude
Wednesday, September 14, 2022
Gratitude to Allison Russell and her band
Such was her strength and resilience that she somehow survived the transatlantic crossing in the hold of a slave ship, and was eventually sold to a large sugar cane plantation in Grenada. She survived multiple rapes and sales. She survived backbreaking labor in the cane fields. She survived her children being taken and sold. She survived, and she founded generations. I wept to learn her name. I am honored to be her many-times-removed daughter and am eternally grateful for the gift of her strength and resilience. Though we can never know if Quasheba was actually from Ghana, in this song I imagine that she is.
When I was in Cameroon in 2007 with my other band, Po’ Girl, I was especially struck by three things: not being a visible minority for the first time in my life (though I was called la petite métisse pretty frequently, since I’m “pale” compared to most Cameroonians); how many Cameroonians felt the need either to apologize for or disclaim their forebears’ involvement in the slave trade—“My village, they never sold any slaves!”—and how many people there told me that I looked Cameroonian. Ghana is just a little ways up the west coast of Africa from Cameroon."
Friday, July 15, 2022
1961: Library books and music on the radio
Monday, March 21, 2022
"... I got lost on the river, but I got found."
Sunday, November 14, 2021
Not grey inside this mandala / Gratitude
Friday, July 23, 2021
O my goodness. With gratitude to Robin
"... Beyond all reason is the mystery of love: you know we are all equal, no one in truth needs any help from anyone else, no one needs to be told anything or given anything—and then you do the most compassionate act anyway, do the best for your brothers and sisters that you have in you.
I'm relaying what was given to me when I felt I needed it: if I felt that way, maybe someone else does, too. This is a letter to my brothers and sisters, a love note to try to show how, when we thought love wasn't working, it was working perfectly ..."
(Thaddeus Golas)
Sunday, April 25, 2021
Pileated Woodpeckers
Friday, April 23, 2021
With gratitude for food banks and the volunteers who make them possible / "Hineni"
(Drawings of food bank items by Shayna Rudoren)
From this article:
“I get here and the room is empty,” he said to explain why he named the pantry Manna, “and then by 10:30, there’s food in it. And then by 1 o’clock there’s not.” At the end of every day, he continued, “I’ve got nothing left — I’ve got nothing emotionally, I’ve got nothing physically, I’ve got nothing spiritually — I’m done. And somehow in the morning, there’s something there. To me that’s divine.”
Mike is a different story.
“I’m an agnostic,” he told me. Between confirmation in ninth grade and his 60th birthday, Mike said, “I was in a church probably a dozen times.” But his wife is a spiritual person, and when they were living in the Bronx, they got involved in St. Paul’s Lutheran Evangelical Church in the Parkchester neighborhood. Mike helped run the food pantry there, too, before they moved to Bloomfield, N.J., in 2019, and connected with Park United.
“For me, it’s not religious,” he said. “I really don’t give a whole lot of thought to a Supreme Being. Maybe I should but I don’t. What the church has done for me is it’s provided me with good work to do.”
That’s hineni.
*
*
During the second half of 2019 and until our local food bank closed due to the pandemic, I stood in line there once a week because I was going into credit card debt for the first time in my life in order to buy groceries. Not serious debt but something I needed to address before it did become a problem.
Our local food bank was set up like a grocery store. We would stand in line, be checked in at a counter by volunteers, and then would get a grocery cart which we would fill with all the food we could put in the boxes we brought for that purpose. The boxes were supplied by the food bank. We were encouraged to take a box and use it each time we visited. Because of the generosity of local stores and local farmers and the many people who support the food bank, I had an excellent selection of fresh produce, rice, beans, oatmeal, and nut butters to choose from. There were also milk and other dairy products, eggs, bread and rolls, tortillas, meat, canned and baked goods, which for one reason or another, I can't eat but are basics for so many people.
There were people of all ages who came to the food bank up to two times a week. I heard people speaking Spanish and Russian or Ukrainian. Several of the volunteers had name tags that indicated that they spoke Spanish. My guess is that there was probably a volunteer who spoke Russian or Ukrainian.
With the pandemic, the food bank building was closed but the volunteers continued to come to the building to fill boxes of food that people could pick up outside the building from their cars or on foot. Volunteers (many of them friends of mine) stepped forward to deliver boxes of food to people without cars or people who had any other reason that might keep them from being able to have access to food. Because I have to be careful about what I eat, I was fairly sure that I wouldn't be able to eat much of what went in the boxes. A friend who did deliveries offered to bring me a box as an experiment. There was nothing in the box that I could eat.
Fortunately, since the beginning of the pandemic, the U.S. government has been giving those of us who quality for EBT cards nearly twice as much food credit. With that help and the three stimulus checks, I am no longer going into debt. I've adjusted my spending down and am sure that I will have enough to live on even when the EBT amount drops back down to what it was before the pandemic.
If I did not own my condominium outright, I could not live on as little money as I live on. Before I retired, I called our local senior information center, told them what my low-end Social Security income would be and asked if it would be possible for me to live on that amount of money in our county. I was assured that I could if I lived simply and made use of the many safety nets for low income people.
I am considered "poor," but I don't feel "poor." I deeply aware of how fortunate I am to have everything I need and want. My life is rich and full. I couldn't be more grateful.
Thursday, March 18, 2021
Thursday, March 11, 2021
With Gratitude 2021 / George Harrison and Bob Dylan 1970
Babe, I couldn’t find the door
Couldn’t even see the floor
I’d be sad and blue
If not for you
If not for you
Babe, I’d lay awake all night
Wait for the mornin’ light
To shine in through
But it would not be new
If not for you
If not for you
My sky would fall
Rain would gather too
Without your love I’d be nowhere at all
I’d be lost if not for you
And you know it’s true
If not for you
My sky would fall
Rain would gather too
Without your love I’d be nowhere at all
Oh! what would I do
If not for you
If not for you
Winter would have no spring
Couldn’t hear the robin sing
I just wouldn’t have a clue
Anyway it wouldn’t ring true
If not for you
Copyright © 1970 by Big Sky Music; renewed 1998 by Big Sky Music
Sunday, July 12, 2020
More of one thing leading to another, with no beginning or end in sight / Gratitude for my mysterious parents
The Bob Dylan of my mother
(am's chalk pastel drawing from the 1980s of Bob Dylan which my mother hung in a prominent place in the small home overlooking the Pacific Ocean in a tiny town in Mendocino County where she and my father lived for 25 years until her death in 1994 and where she listened to "Oh Mercy" during the final years of her complicated life. My mother thanked me for introducing her to the music of Bob Dylan when I was a teenager in the 1960s. My father told me during those same years, "You were a nice girl until you started listening to Bob Dylan." My parents, the first people I knew, remain a mystery to me. They didn't seem to have much in common and argued frequently. It was only after they died that I felt safe enough to love them. That process continues.)
Although I wasn't looking for current articles about Bob Dylan, this arrived in my email inbox today:
"... The Bob Dylan of my dad was the one that told the story of his life drifting, constantly changing in his perspective of being a rolling stone. My Dylan is the one who alludes to the wisdom and guidance to know that even through the years, we can stand confused and be transformed. As he even proposes in “Tryin’ to Get to Heaven,” a confident voice of only one thing: “When you think you’ve lost everything, you find out you can lose a little more ...”
"... The body of work that he has created is proof of time, of life experienced and lived against being analyzed, we’ve grown with him, and he has a perfect way of expressing it, like a medieval troubadour courting life, the perfect witness and acknowledging that there’s a Bob Dylan for all and that is where his greatness lies ..."
Tatiana Altagracia (click on her name to read the article)

Of course, not everyone is for Bob Dylan. My father, for instance, thought that listening to Bob Dylan had ruined his firstborn daughter as she made her way through her teenage years. He didn't understand that Bob Dylan's music brought to me what he could not bring to me -- validation of the creative woman I was becoming and yet, there was more to my father than met the eye. I have come to understand that his life was as complicated and conflicted as my mother's. Perhaps that is what they had in common. Here is the gouache and watercolor painting of mine that he chose to hang in his living room until the last few years of his life when he moved to a smaller independent living apartment:
Calendar Series: 46th Month / Land Fish with Open Hearts Confronting Stranded Tool (1989)

Here are two views of one of the art works of my father who stated that he was not an artist:

The gorilla that my father carved in redwood lives on my porch next to my abbreviated garden, which reminds me that my father expressed his love of beauty and design through gardening and landscaping.

My mother was an artist (look here, below my post for today, to see the mandalas she created that inspired mine) and a writer of poetry and short stories, although she abruptly stopped writing creatively in the late 1960s and began doing art work instead, beginning with learning to paint using watercolors and moving, over the years, to Japanese brush painting, silkscreening, batik, stained glass, and finally working at complex pattern knitting until the last days of her life.
When I was out walking in the past few days, I could feel the presence of my friends who have died and of Oboe. It occurred to me to ask my parents if they wanted to walk with us and then I found it difficult to picture them walking with me. As I write this, it becomes clear that my parents were not people who walked with other people. I can picture them wishing me well but declining to walk with me. What I want to focus on is that I sense that they wish me well. I wish the same for them. I know that I know nothing about their inner lives except what was expressed through their creativity.
The formatting elves are playing with my layout again (-:
Be well. Be safe. The world is still being born.
Vocal, guitar and harmonica: Terayama
Friday, May 3, 2019
Calling all birders (this is part of the story I will be telling mostly in pictures)
Three days after my mother died in 1994, a Black Phoebe appeared in a similar manner at my parents' house in Gualala, California.
Before and since then I have heard story after story of a bird appearing after the death of a loved one. When the husband of my friend of 52 years was dying of ALS in 1989, he told her that he would appear to her as a Baltimore oriole after his death. A pair of Baltimore orioles appeared in her yard after his death and built a nest and soon there were fledglings.
Here I am, finding that I do have something to write. I am still gathering photos to celebrate the life of my friend whose death shook me to the core and whose friendship I have treasured since we met in college in 1967.
Here is the view of the backyard of her dream house:
Monday, September 24, 2018
I'm now safe from the Google and Blogger Sharks that were attacking my blog
This morning I am happy to say that I was able to figure out for myself what the problem has been with my blog.
In yet another attempt to find a solution, I went to a Google forum for people having similar but not identical problems. There was talk there about which browser a person was using. I've been stubborn about sticking to my Safari browser. It seems that Google (Blogger) has arranged it so that I can no longer use Safari if I want my blog to work or if I want to leave comments at other blogs.
When I logged into my blog from Google Chrome, my blog was restored to its usual self, and I could once again comment on other blogs.
Interestingly, when I logged into Google Chrome's email system, which is gmail, I found two emails from the Blogger Support Forum. Those emails were not accessible to me on Safari. However, I had read similar responses to my request for help at the Blogger Support Forum. The suggestions from the Blogger Support Forum in that email and on the Blogger Support Forum were complex and overwhelming. There was no suggestion there to simply change the browser I was using.
Thank goodness for the gifts of perseverance and intuition that have brought me through so many problems, large and small! Thank you to everyone who tried to help me solve this problem!
Update: I just checked to see if my blog works in Firefox. It does.
Friday, March 9, 2018
Visions of Jacob Lawrence and Barbara Earl Thomas / Gratitude
"The Studio, 1977"
Back in 1980 when I was 30 years old and had returned to college to finish my degree in English Literature and Studio Art, I was introduced to the life and work of Jacob Lawrence. It has been my good fortune to see much of his work in exhibits here in Bellingham and in Seattle. He remains a inspiration to me to this day.
"Bread, Fish, Fruit""Typists"
"Hiroshima Series -- Boy with Kite"
In 2016, I became aware of the work of a student of Jacob Lawrence, Barbara Earl Thomas, and traveled to Bainbridge Island (not far from Seattle) to see an exhibit of her work. She had studied with Jacob Lawrence, finishing graduate school at University of Washington in 1977, just a few years before I was introduced to his work.
"She makes catastrophe and beauty keep company—the way they actually, unthinkably, do. (from this article).
If you would like to see more of her art work and learn more about her life, I recommend this book:
As I wait for the inspiration for my next mandala, I feel immense gratitude to these two artists.




























