Sunday, October 13, 2019
Learning Spanish has become a full-time job as I work on my mandalas and everything else
Sunday, October 6, 2019
Mandala #44: Some say "elsewhere" and some say "within" / Esperanza
"Hope, in this deep and powerful sense, is not the same as joy that things are going well, or willingness to invest in enterprises that are obviously headed for early success, but, rather, an ability to work for something because it is good, not just because it stands a chance to succeed. The more unpropitious the situation in which we demonstrate hope, the deeper that hope is. Hope is definitely not the same thing as optimism. It is not the conviction that something will turn out well, but the certainty that something makes sense, regardless of how it turns out. In short, I think that the deepest and most important form of hope, the only one that can keep us above water and urge us to good works, and the only true source of the breathtaking dimension of the human spirit and its efforts, is something we get, as it were, from “elsewhere.” It is also this hope, above all, which gives us the strength to live and continually to try new things, even in conditions that seem as hopeless as ours do, here and now." (Vaclav Havel)
For years, the words in orange were taped to my drawing table. My experience since then is that my deepest form of hope comes from within. Does it matter where hope comes from? That it came to me at all at this time of year in 1987 after years of hopelessness is astonishing. Just now I'm recalling once again what an English professor at UC Irvine quoted in 1967 or 1968 (my first year of college), "Words do our thinking for us." Is there something that exists without words? All the light we cannot see?
We were talking
About the space between us all
And the people
Who hide themselves behind a wall of illusion
Never glimpse the truth
Then it's far too late when they pass away
About the space between us all
And the people
Who hide themselves behind a wall of illusion
Never glimpse the truth
Then it's far too late when they pass away
We were talking
About the love we all could share
When we find it
To try our best to hold it there, with our love, with our love
We could save the world, if they only knew
About the love we all could share
When we find it
To try our best to hold it there, with our love, with our love
We could save the world, if they only knew
Try to realize it's all within yourself, no-one else can make you change
And to see you're really only very small
And life flows on within you and without you
And to see you're really only very small
And life flows on within you and without you
We were talking
About the love that's gone so cold
And the people
Who gain the world and lose their soul
They don't know, they can't see
Are you one of them?
About the love that's gone so cold
And the people
Who gain the world and lose their soul
They don't know, they can't see
Are you one of them?
When you've seen beyond yourself then you may find peace of mind is waiting there
And the time will come when you see we're all one
And life flows on within you and without you
And the time will come when you see we're all one
And life flows on within you and without you
Saturday, September 28, 2019
"We are the survivors of the great flood" (with update on October 1, 2019)
Update on Tuesday, October 1, 2019:
Go directly to Freddie Lane's YouTube channel to see the above video as well as "We're Running Out Of Time" (Billy Frank, Jr., interview) and "Protecting Our Heritage," and other videos Freddie Lane has posted that are worth taking the time to watch.
Thursday, September 12, 2019
James Baldwin and Ocean Vuong / Leah Siegel covering Buckley covering Buckley / Learning Spanish / NAMI class
Ocean Vuong's book On Earth We're Briefly Gorgeous was brought to my attention in the last month or so, and I put a hold on a copy at our public library. I found the book to be extraordinary as well as difficult and worth the difficulty. Ocean Vuong, like Toni Morrison, took me to places I've never been before (but not as "a tour guide to pre-made worlds" but as a "world maker," to use Ocean Vuong's words from the interview) and changed the way I see the world. Before finishing the book, I took a 50-minute break to listen to Ocean Vuong and Jacqueline Woodson. Previously, while reading the book, I had listened to several other interviews with Ocean Vuong in which he reminded me of a young Bob Dylan. In the above Strand Bookstore interview, Ocean Vuong lights a James Baldwin votive candle before the interview begins, in honor of James Baldwin's illuminating presence. In that moment, I realized that what I was perceiving as a similarity to Bob Dylan was actually a similarity to James Baldwin. Bob Dylan's work and way of being in the world were strongly influenced by James Baldwin. That is what I was seeing in Ocean Vuong. James Baldwin lives on through his literary descendants. Ocean Vuong is one of the most recent in that literary family tree.
Some quotes from Ocean Vuong:
"... the merciful light in the midst of all this darkness ..." (from the interview)
"Let no one mistake us for the fruit of violence--but that violence, having passed through the fruit, failed to spoil it." (p. 231, On Earth We're Briefly Gorgeous)
This morning, I discovered this version of "Once I Was A Soldier" by Leah Siegel and wanted to share it. I've never heard a woman sing that song before.
Beginning on September 4, I made a commitment to learn to speak Spanish, building on two years of Spanish in high school (escuela secundaria) 52 years ago. There is a Spanish Conversation group that meets weekly at our local Senior Center around a table in a small meeting room and is facilitated by an engaging woman in her 60s from Mexico. It is immersion in Spanish rather than a formal class. I speak like a baby and that's okay!
In addition, I signed up for a evening class offered by our local branch of NAMI (National Alliance on Mental Illness). The class is for families and friends of people who suffer from mental illness and meets two nights a week for six weeks. My hope is to learn how to take care of myself in the numerous encounters I have regularly with people who suffer from mental illnesses and to learn how I can be supportive of those who suffer from mental illnesses. Once again, there are no easy answers, and I am open to learning what I can.
The next six weeks will be full, with not much time for posting. I will be reading your blogs, sending love as always.
Here's a volunteer Mimulus that appeared on my porch:
Saturday, September 7, 2019
Rep. Debra Lekanoff -- 40th Legislative District of Washington State
The above is from a message sent through the U.S. mail to all those who live in the 40th Legislative District.
Listen to Rep. Debra Lekanoff here.
Our Legislative District is fortunate to have Debra Lekanoff representing us. There is cause for hope.
Thursday, September 5, 2019
Monday, September 2, 2019
Never Give Up / Listening to Three Women On Labor Day 2019
When I was in my late teens in 1969, I worked for the telephone company in California as a long distance operator for AT&T before dropping out of college. In my early 20s, I was a letter carrier in California and belonged to the Postal Workers Union. I spent one year working in a factory that made pacemakers in Massachusetts and three years here in Bellingham, Washington, as an industrial sewing machine operator, first in a union shop as a member of the International Garment Workers Union, then in a shop where I sewed backpacks together, and finally in a sailmaker's loft where I sewed sails, spinnakers, and boat covers. Because I am tall, I developed neck and back problems from bending over to work on industrial sewing machines. When I was 30, I returned to college to finish a degree in English Literature and Studio Art and then found myself unemployable in our small college town until I forced myself to learn to type and then became a medical transcriptionist at the local hospital. Through most of my working life, I was a production worker, working hard for only modest compensation. I am proud of the work I did. Watching "Union Maids" is an emotionally powerful and empowering experience.
(1970 -- telephone operators)
Sunday, September 1, 2019
Never Give Up: "... to dance close together / In this land of water and knowledge ..."
Speaking Tree
Some things on this earth are unspeakable:
Genealogy of the broken—
A shy wind threading leaves after a massacre,
Or the smell of coffee and no one there—
Some humans say trees are not sentient beings,
But they do not understand poetry—
Nor can they hear the singing of trees when they are fed by
Wind, or water music—
Or hear their cries of anguish when they are broken and bereft—
Now I am a woman longing to be a tree, planted in a moist, dark earth
Between sunrise and sunset—
I cannot walk through all realms—
I carry a yearning I cannot bear alone in the dark—
What shall I do with all this heartache?
The deepest-rooted dream of a tree is to walk
Even just a little ways, from the place next to the doorway—
To the edge of the river of life, and drink—
I have heard trees talking, long after the sun has gone down:
Imagine what would it be like to dance close together
In this land of water and knowledge. . .
To drink deep what is undrinkable.
Joy Harjo
(thanks to beth for bringing Joy Harjo's poem to my attention)
(thanks to S Alexander for posting her videos on YouTube)
Wednesday, August 28, 2019
Sunday, August 18, 2019
Further thoughts this morning / "Somebody, after all, had to make a start ..." (Sophie Scholl in 1943)
In the words of Sophie Scholl, "Somebody, after all, had to make a start. What we wrote and said is also believed by many others. They just don't dare express themselves as we have."
After posting on my blog earlier this morning about what Never Again Action experienced in Rhode Island and remaining unsettled, an image came to me of a small group of German people gathering at the entrance to Buchenwald one summer evening in 1943 to nonviolently protest what they could not ignore, with the goal of blocking any employees who attempted to enter. I see the Nazis who ran the camp mobilize immediately to threaten the lives of the people at the gate. I see a man in a truck attempt to intimidate the nonviolent protestors by driving forward in an aggressive move that could result in serious injury to them. When they don't disperse, the Nazis in the towers kill them. The momentum of the Nazi mentality continues to build until World War II ends in 1945, and it never completely dies.
I became aware of Sophie Scholl and the White Rose only recently. To my mind, she and her young friends did the equivalent of protesting at the gates of Buchenwald. She and her brother Hans and and another student, Christoph Probst, were beheaded by the Nazis for "treason."
On the day that the three young protestors died, Else Gebel, Sophie's cell mate, has stated that Sophie said, "It is such a splendid sunny day, and I have to go. But how many have to die on the battlefield in these days, how many young, promising lives. What does my death matter if by our act thousands are warned and alerted. Among the student body there will certainly be a revolt."
When I look at the photo of Sophie Scholl, I am reminded of this photo of Greta Thunberg.
"All the goodness and the heroisms will rise up again, then be cut down again and rise up. It isn't that the evil things wins -- it never will -- but that it doesn't die." (John Steinbeck)
There is no action any one of us can take that is too small to matter. There is no action that is too small to matter when we join together.
I am reminded of the words of Toni Morrison,
“This is the time for every artist in every genre to do what he or she does loudly and consistently. It doesn't matter to me what your position is. You've got to keep asserting the complexity and the originality of life, and the multiplicity of it, and the facets of it. This is about being a complex human being in the world, not about finding a villain. This is no time for anything else than the best that you've got.”
A message I received early this morning from Starcross Community in Sonoma County, California
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Friday, August 16, 2019
Linda Rees: Tapestry Weaver
One of the first people I met when I moved to Bellingham, Washington, was Linda Rees. She and her family lived several houses down the street from where I first lived in Bellingham. Not knowing that she was my neighbor, I bought one of her early tapestries. You can see that tapestry and read the story connected with it here.
Since last spring a small group of her friends in conjunction with the Whatcom Weaver's Guild have been working together so that Linda's tapestries can be featured by the Whatcom Weaver's Guild in the Wool Room at the Northwest Washington Fair and then at the Jansen Art Center, both in Lynden, Washington. These photos were taken by one of Linda's friends who took her to the fair to see her tapestries exhibited. In the photograph with Linda is Carol Berry, the current president of the Whatcom Weaver's Guild, who did a great deal of footwork to make it possible for Linda's work to be shown at the fair and the Jansen Art Center.
Linda began weaving tapestries 50 years ago, the year her daughter was born. For most of those 50 years, she woke up early in order to weave, including the years when she had full-time employment. In the past few years, she found it more and more difficult to figure out how to warp the loom herself, and friends who weave stepped in to do that for her. In the past year, it became clear that her cognitive difficulties had increased to the point that she needed to move to an assisted living residence, and this past spring she moved to a memory care residence. Although she finds most activities of daily living to be challenging, her passion for tapestry weaving and her enjoyment of family and friends is intact. Her sense of humor is delightful. She laughs heartily. She has always been aware of and upset by the troubles in the world and until the past few years always held a volunteer position in whichever community she was living in, wanting to do what she could to make a positive difference in the world.
Her tapestries will be featured at and for sale through the Jansen Art Center, beginning in September, if anyone is interested in purchasing one of her beautiful tapestries.
Thursday, August 15, 2019
"These are hard won lessons spoken by people who have been there and are not crushed."
(Because I didn't have time to sit down and listen in one sitting, I listened over several days.)
Labels:
"not crushed",
Claudia Brodsky,
Cornell University,
Home,
Toni Morrison
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