Showing posts with label pastel drawings. Show all posts
Showing posts with label pastel drawings. Show all posts

Friday, December 29, 2006

Composer (1983) and Poem (1983)














and a poem: IN THE CHURCH OF THE HOLY CONTRADICTION WE LOOK FOR TEARS THROUGH A TELESCOPE 

Why should we go on watching each other through a telescope? -- Bob Dylan, Street Legal, 1978 

There is a drought and no messiah in sight 
Look at the thirsty land 
Look at the magnifying glass sun 
But no hand holds the glass 
No heart is moved by our sorrow 
Through a telescope we look for healing hands, 
A human heart, and eyes that shed tears. 
In drought and in deluge
These suns and gods 
Are distant 
Though amazingly graceful and near 
While we watch through telescopes 
Our church of sky, land and sea 
Fills with healing hands, 
Human hearts and eyes that shed tears. 

I couldn't remember the title of the above drawing until I found a list of drawings and paintings I had done that my mother had placed on the walls of their home. My mother chose this one for a place high on the wall in their living room, knowing that it was based on a photograph of Bob Dylan from the 1960s. Her title for it, though, which I did remember, was "The Judge." A friend of mine referred to it as the drawing of the "hockey player." The image is open to interpretation. When I drew this I was thinking of both Bob Dylan and Johann Sebastian Bach and Beethoven.  As I looked at this drawing for the first time in a long time, I remembered the poem I had written which was inspired by the words of a song written by Bob Dylan in 1978. When my mother died in 1994, the drawing came back to me.

Wednesday, December 27, 2006

Caught Between Impossible Questions and the Wild Blue Sky of Day (1982)

Looking back at these drawings from 1982, what a shock it is to add up the years and acknowledge that nearly twenty-five years have passed. Seeing this chalk pastel drawing after so many years, at first I couldn't remember the title I had given it. What is coming out of this process of retrospection is that I am remembering how much I have forgotten. As I looked at today's image, I thought I would have to give it a new name, but then the words "wild blue sky of day," from a poem I had written in the early 1980s, came back to me. I couldn't remember the title of the poem but knew where to look for it and found that it was titled "A Nation of Sleepless Woman with Moon and Birds." The last two lines were the title I had given to this drawing. 

A NATION OF SLEEPLESS WOMEN WITH MOON AND BIRDS  

Awake and alert
As full and fragmented as the moon 
Rising and reflecting 
In a western sea 
We hear night birds 
Singing in the shadows 
Mocking darkness 
Mocking darkness 
The moon asks an impossible question: 
Do I control you 
Or do you control me 
In my circular journey 
We ask the moon an impossible question: 
Do we control you 
Or do you control us 
In our cyclical journey
We hear night words
We sing in the shadows
Mocking darkness 
Mocking darkness 
Imagine us at dawn 
A nation of sleepless women with moon and birds
Just above the hills of childhood 
Caught between impossible questions 
And the wild blue sky of day. 

Sometime in February I will be coming to a drawing/painting I did which I called, "Woman Trying to Remember What She is Trying to Forget." 

How could I forget that I am a poet, too?