Showing posts with label am's mandalas. Show all posts
Showing posts with label am's mandalas. Show all posts

Tuesday, May 21, 2024

Prospective Retrospective (Update)

In order to continue posting my artwork, I've created a Substack page:

https://ellamuir.substack.com 

No need to subscribe.  I'm not looking for paid subscribers.  There is a free subscriber option if you'd like to be notified when I post on Sundays.

Sending love to all who happen to stop by here.


P.S.  If you are looking for Old Girl From The North Country or http://oldgirlfromthenorthcountry.blogspot.com, this is the blog that evolved from it after 2008.

Saturday, January 15, 2022

A Story For Right Now: Barbara Earl Thomas / More of one thing leading to another


Barbara Earl Thomas has been an inspiration to me since I first learned about her on the cover of a Real Change newspaper and found that if I traveled south about 100 miles, I could see her art work in person.

A few days ago, a Bellingham friend texted me a photo of art work by Derrick Adams from an exhibit at the Henry Gallery on the University of Washington campus in Seattle. She and her husband had driven a friend 90 miles to the UW Medical Center for a procedure and, while waiting for the procedure to be over, had walked over to the Henry Gallery to see what they could see.

Immediately after receiving the text, I went to the Henry Gallery website and was rewarded with the information that the exhibit featured both Derrick Adams and Barbara Earl Thomas, which led me to the above video and immense gratitude for the many unexpected gifts that come when needed.

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I'm going forward into 2022 with the intent of drawing the circle for each new mandala with my right hand using a colored pencil but completing the rest of the mandala with a 6B pencil using my left hand.

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Today when I talked again with the friend whose random visit to the Henry Gallery with her husband led me forward to Barbara Earl Thomas, she told me a story about having had a strong desire some years ago to hear Beethoven's Third Symphony in a concert hall, She had taken a class at UC Davis in 1969, taught by John Cage, in which the students were asked to color the musical score of Beethoven's Third Symphony, using a different color for each musical instrument. John Cage knew the symphony by heart and could easily tell if a student had actually listened closely to the entire symphony. My friend said that in doing the assignment, she found that she was able to learn the symphony by heart.

She envisioned that the symphony might be performed in New York City or Boston and was willing to travel that far but found that it was not being performed, within her timeframe, in either place. She searched the internet and found nowhere that it was being performed.

Some time passed. One day she went out to her mailbox and found a flyer for the Bellingham Festival of Music, announcing that Beethoven's Third Symphony was going to be performed at the Western Washington University concert hall right here in Bellingham.

Unexpected gifts.


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Saturday, November 13, 2021

Mandala #65 (black and white version) / November light


Working on a photo showing this mandala in true colors.  No such luck so far.  For now, here is how it looks in black and white.  Three more mandalas and then I will have met my goal of 12 for the year.

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November light


Sunday, September 19, 2021

Mandala #63: Song



















                                                                                   

A bird does not sing because it has an answer.  It sings because it has a song.

(Chinese proverb)

Tuesday, July 20, 2021

Trees Moved By Summer Wind / Mandala #62 (left hand)


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This may or may not be finished.  I'm 99.9% certain that it is.  I wish that my camera could show this mandala's true colors -- the way it looks to me as I sit at my drawing table.  This will have to be good enough until I get it professionally scanned.

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Your culture is not what your hands touch or make -- it's what moves your hands.

(Tyson Yunkaporta, page 242 of Sand Talk)

Monday, July 19, 2021

Early morning in July with almost finished mandala / "... the enormous invulnerable beauty ..." / Painting Dream / The horse I drew when I was 5 years old / "Wild Things Run Fast"

 

This early morning I suddenly remembered a poem I first read when I was 18 or 19 years old, at which time I had determined that I was decidedly not religious.  From that poem I understood that one does not need to be a religious person to live gratefully and fully in the presence of beauty.  My desire all those years ago was to become an artist.  

I remember reading this that Hokusai wrote when he was about the same age I am now.  It was early in my blogging days, when I was 57 years old, that I came across that quote.  Although I had experienced an extraordinary amount of creative energy for art work and poetry during the 1980s and early 1990s, I could no longer find it in me after the abrupt death of my mother in December 1994.  There were brief periods where I thought the energy for art work had returned.  

It is occurring to me today that my creative energy was totally channeled into blogging until September 2014 when something prompted me to do what my mother had done when she was about the age I was in 2014.  Inspired by Carl Jung, my mother began a series of mandalas.

This morning, as I look at my almost-finished mandala, #62 in a series, I have found an expanded version of that quote by Hokusai and an unexpected gratitude to my mother for inspiring in me a love of art and books and the beauty of the world:

"From the age of six I had a mania for drawing the shapes of things. When I was fifty I had published a universe of designs. But all I have done before the age of seventy is not worth bothering with. At seventy-five I'll have learned something of the pattern of nature, of animals, of plants, of trees, birds, fish and insects. When I am eighty you will see real progress. At ninety I shall have cut my way deeply into the mystery of life itself. At one hundred, I shall be a marvelous artist. At 110, everything I create; a dot, a line, will jump to life as never before. To all of you who are going to live as long as I do, I promise to keep my word. I am writing this in my old age. I used to call myself Hokusai, but today I sign myself The Old Man Mad About Drawing."

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This is the poem I read in 1967 or 1968:

Nova

That Nova was a moderate star like our good sun; it stored no
doubt a little more than it spent
Of heat and energy until the increasing tension came to the
trigger-point
Of a new chemistry; then what was already flaming found a new
manner of flaming ten-thousandfold
More brightly for a brief time; what was a pin-point fleck on a
sensitive plate at the great telescope's
Eye-piece now shouts down the steep night to the naked eye,
a nine-day super-star.


                                        It is likely our moderate
Father the sun will some time put off his nature for a similar
glory. The earth would share it; these tall
Green trees would become a moment's torches and vanish, the
oceans would explode into invisible steam,
The ships and the great whales fall through them like flaming
meteors into the emptied abysm, the six mile
Hollows of the Pacific sea-bed might smoke for a moment. Then
the earth would be like the pale proud moon,
Nothing but vitrified sand and rock would be left on earth. This
is a probable death-passion
For the sun's planets; we have no knowledge to assure us it may
not happen at any moment of time.

Meanwhile the sun shines wisely and warm, trees flutter green
in the wind, girls take their clothes off
To bathe in the cold ocean or to hunt love; they stand laughing
in the white foam, they have beautiful
Shoulders and thighs, they are beautiful animals, all life is beautiful.
We cannot be sure of life for one moment;
We can, by force and self-discipline, by many refusals and a few
assertions, in the teeth of fortune assure ourselves
Freedom and integrity in life or integrity in death. And we know
that the enormous invulnerable beauty of things
Is the face of God, to live gladly in its presence, and die without
grief or fear knowing it survives us.

-- (John) Robinson Jeffers, (1887-1962), Poet, writer; born in Pittsburgh, Pa. He attended six colleges and universities in Europe and America, studying medicine and forestry among other subjects.

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Painting Dream (2000 -- 50 years old)

No one can paint this desire.
No one can paint this forgiveness.
Her hand drawing his.
His hand drawing hers.
They carry silence between them
as if it were a newborn child.
In my dream we were an old man and an old woman walking by the ocean.
Who painted this desire?
Who painted this forgiveness? 















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I remember looking up from drawing and hearing my mother praising me for this drawing of a horse I made when I was 5 years old.  I am grateful that she saved it.



Saturday, September 12, 2020

In the time of fires / Mandala #50: Sabine and her Bicycle (A meditation on bicycle spokes, suns, moons, stars, planets, skies, mountains, oceans) / More of one thing leading to another / Talking about spiritual energy and the children of 9/11



Update:  Since I posted this morning, the air quality here has steadily diminished to the Unhealthy range with severely limited visibility.  The sky is a sickly pale yellow, approaching pale orange.







As I was downloading the above video, YouTube suggested this video:



Which led me to:

I make a distinction in the book between physical energy and spiritual energy. I don’t mean spiritual in the form of religious sense; I mean the sense in which you are high spirits or low spirits. (click on this if you wish to read the article)

Which led me to pause and look up and out my window to see the sun for the first time this morning, its light dimmed by the fires, near and far, that are raging on the West Coast of the United States, and to know that high spirits leave and return, over and over again.  Low spirits are still spiritual energy, dimmed like the sun is today until the fires subside and the sky does its work of clearing itself, as the sky has done since long before we were here and will continue to do so after we are gone. 



Which brought me back to what I had planned to post today, a song by Bruce Springsteen:



"The Rising" was written as a response to the terrorist attacks in the USA on the 11th September 2001. The song tells a story of a firefighter climbing up the staircase at the World Trade Center.

"Come on up for the rising
Come on up, lay your hands in mine 
Come on up for the rising
Come on up for the rising tonight"

I've been saving this for a day like today:

"The Children of 9/11 are About to Vote"























Thank you to Sabine on your bicycle for the inspiration.