Showing posts with label jacob lawrence. Show all posts
Showing posts with label jacob lawrence. Show all posts

Tuesday, October 26, 2021

So many things from my mother leading to my creative life and my spiritual life


That's my red-haired mother as a baby, born in the spring of 1916 in Minnesota.  At times lately I feel as if I am, in some odd way, her mother.  

When my mother was about the age I am, she strongly considered converting to Judaism.  She had long felt a kinship with Jewish people and felt that there must have been someone who was Jewish on her father's side of the family.  While our family was attending an Episcopal Church during my growing up years, she introduced me to the works numerous writers and artists who were Jewish.  I remember that she went to hear Isaac Bashevis Singer speak at a local synagogue when I was in high school.

In the early 1980s, she met people from the Jewish community in Mendocino County and subscribed to their newsletter and felt welcomed and at home in that small community.  When my father protested, she celebrated all the Jewish holidays semi-secretly, far below my father's radar.   My father did not know enough about Judaism to know that she was celebrating the holidays right in front of him.  

My mandala series was inspired by my mother's mandala series which she created when she was about the same age I am.  Her series included mandalas for Jewish holidays.

One of the books she passed on to me when I was in high school was The Chosen, by Chaim Potok.  This morning, following links as I do, I discovered an extraordinary series of drawings and paintings by Jeremy Kagan, the man who directed the film version of The Chosen.  They remind me of Jacob Lawrence's series:  Eight Studies for the Book of Genesis, which I was fortunate to be able to see when they were shown here in Bellingham.  They also make me think of William Blake.  I find Jeremy Kagan's work to be deeply engaging, despite the fact that I am not a religious person.  

My mother's parents were married in a Unitarian Church in Boston.  Her mother's father was a Theosophist.  Some of her great grandparents were Roman Catholic and the others Protestant.  I recall my mother saying that her father, a World War I veteran, had a well-worn copy of the Bhagavad Gita, possibly belonging to my grandmother who died before he did and whose father was the Theosophist. My only nephew's grandfather is Jewish.  His grandmother is a Roman Catholic convert to Judaism.  My father's father's side is entirely Lutheran and then there is the mysterious great great grandfather on my father's mother's side whose ancestry and religion are unknown.  In my generation and the younger generations, there is a little of everything, atheism included!

It will take me some time to look through all sets of drawings and paintings by Jeremy Kagan.  I'm astonished to find that his third set are what I would call mandalas.  A glimpse from his first set:


and then this.

Feeling gratitude this morning to my complicated mother, an artist, writer,  creator of delicious meals, pattern knitter, and spiritual seeker, among other things, who would be 105 years old this year.

Friday, August 6, 2021

Hiroshima Day Meditation / They come and stand at every door

Jacob Lawrence's Hiroshima Series

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Jacob Lawrence's Hiroshima Series was inspired by John Hershey's book titled Hiroshima:

"It was time for someone to describe the bomb in terms that the human mind could grasp. As Hersey finished The Bridge of San Luis Rey, he realized that emphasizing minutiae, not grandeur, was the way to drive the point home. Not everyone could comprehend how the atomic bomb worked or visualize an all-out, end-of-days nuclear world war. But practically anyone could comprehend a story about a handful of regular people — mothers, fathers, grade school children, doctors, clerks — going about their daily routines when catastrophe struck. Hersey would take readers into the victims’ kitchens, on their streetcar commutes, into their offices, back on that sunny summer morning of August 6, 1945, and show what befell them."










Koko Kondo speaks Wednesday [am's note:  That was August 6, 2020] in front of the Atomic Bomb Dome near the Hiroshima Peace Memorial Museum. (Eugene Hoshiko/AP)


“I’m so glad John Hersey wrote that book because that is what happened,” Kondo said in an interview.

But she also worries that it has been forgotten. One piece of evidence in favor of that conclusion is that nuclear weapons still exist.



I come and stand at every door
But no one hears my silent tread
I knock and yet remain unseen
For I am dead, for I am dead
I'm only seven although I died
In Hiroshima long ago
I'm seven now as I was then
When children die they do not grow
My hair was scorched by swirling flame
My eyes grew dim, my eyes grew blind
Death came and turned my bones to dust
And that was scattered by the wind
I need no fruit, I need no rice
I need no sweets nor even bread
I ask for nothing for myself
For I am dead, for I am dead
All that I ask is that for peace
You fight today, you fight today
So that the children of this world
May live and grow and laugh and play
(Nâzım Hikmet)

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".. the Second World War, it came to an end ..."

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Speaking with and without words, sending love near and far.

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ADDENDUM:  After posting this, I noticed that one of Jacob Lawrence's images in the HIroshima Series is called "Boy With Kite."  I hadn't noticed that when I chose the cover by Dave and Tyler who are identified as "A Boy and His Kite."  Take what you have gathered from coincidence.

Monday, July 26, 2021

One thing leading to another / "Blue Horse with Couple"


 














There were two blue horses at the top of the mandala that I just finished.  Before the mandala was finished, a friend of mine suggested that I put horses in the mandala.  I laughed at his suggestion because I couldn't see any place to add horses.  Before long, though, I realized that there was a place that I could put one or two horses that were like that red horse I had drawn at the center (the beginning) of the previous left-handed mandala.









Once I decided to add a horse or two, the next question was what color would I use?  Nothing seemed right except blue.  One horse didn't seem right but two did.  When I showed the finished mandala to my friend, he said something about blue horses in art history.  I could picture a painting of a blue horse but I felt embarrassed because I could not remember who the artist was, only that he had been a member of Der Blaue Reiter.   My friend tried to remember the name of the artist that came to his mind.  The only artist's name that came to mind for me several hours later was Delaunay and when I Googled "Delaunay," I got my answer -- it was not Delaunay but Franz Marc who painted the blue horse that was still in my mind.  That was about a week ago.  Yesterday my friend texted me, "MARC CHAGALL!"

Early this morning, I Googled "Marc Chagall" and "blue horse."  O my goodness!  There were numerous blue horses in Marc Chagall's paintings!




















In September 1982, when I was 32 years old and had just graduated from college with a degree in English Literature and Studio Art,  my father offered to take me and my mother to New York City and Washington, D.C., with the main goal of seeing as many art museums and art galleries as possible.  The experience was one of the high points of my life.  Among so many other wonders, we saw Marc Chagall's "I and the Village" which you can see here.

We visited the Stature of Liberty.  My father took a photo of me and I took a photo of him where he had stood in September 1936.































My father's father, a professor friend of his, and my father began an extensive road trip from Minneapolis in the first week of September 1936, just before my father's junior year at the University of Minnesota.  The purpose of the trip was to visit historical places and photograph them for a lecture the professor, T. E. Odlund, planned to give.  My father was to be the driver and photographer. They drove through Wisconsin, Illinois, Indiana, Ohio, Pennsylvania, Upstate New York, Vermont, New Hampshire, Main, Massachusetts, Connecticut, Rhode Island,  New York City, New Jersey, Delaware, Washington, D.C., Maryland, Virginia, West Virginia, Kentucky and Illinois and back to through Wisconsin to Minnesota during the next three weeks.

Somewhere there is a photo of my father taken by his father in the same place we stood near the Statue of Liberty in 1982 and a street scene taken in Harlem where a relaxed-looking young man smiles at my father who is taking the photo.  Where could those photos be?  I thought I knew, but they aren't where I thought they were.

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The week that Marc Chagall died in 1985 was the week when I was visiting my parents in Northern California.  Friends of my parents, a couple who were in their late 80s stopped by to visit my parents and when I showed them photographs of my drawings, the man said, to my great surprise, "Ah, a new Chagall!" That, along with R. Allen Jensen's appreciation of my drawings, was the encouragement that I needed.  I had taken a series of drawing classes from R. Allen Jensen at Western Washington University between 1980 and 1982.  I liked my drawings but continued to be startled when other people besides family and friends liked them, too.  

"The dignity of the artist lies in his duty of keeping awake the sense of wonder in the world. In this long vigil he often has to vary his methods of stimulation; but in this long vigil he is also himself striving against a continual tendency to sleep."
(Marc Chagall)

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I'm grateful to my mother for introducing me to the paintings of Marc Chagall when I was in high school.  I believe that he was her favorite painter.  Along with Jacob Lawrence, Marc Chagall is high on my list of beloved artists who have inspired me in my art work.

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My friend who suggested adding horses to my most recent mandala attended art classes taught by Jacob Lawrence at the University of Washington.

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Take what you have gathered from coincidence -- Bob Dylan

“We know that attention acts as a lightning rod. Merely by concentrating on something one causes endless analogies to collect around it, even penetrate the boundaries of the subject itself: an experience that we call coincidence, serendipity – the terminology is extensive. My experience has been that in these circular travels what is really significant surrounds a central absence, an absence that, paradoxically, is the text being written or to be written.”

― Julio Cortázar, Around the Day in Eighty Worlds

Thursday, August 6, 2020

Hiroshima Day and Jacob Lawrence and the first sitting U.S. president to visit Hiroshima (2016) and Soh Horie's story




From the Builders Series:  Carpenters, by Jacob Lawrence (1977)

When I watched a documentary on John Lewis, I saw that he and his wife lived with art work by Jacob Lawrence.



Friday, March 9, 2018

Visions of Jacob Lawrence and Barbara Earl Thomas / Gratitude













"The Studio, 1977"


Back in 1980 when I was 30 years old and had returned to college to finish my degree in English Literature and Studio Art, I was introduced to the life and work of Jacob Lawrence.  It has been my good fortune to see much of his work in exhibits here in Bellingham and in Seattle.  He remains a inspiration to me to this day.











"Carpenters"
"The Library, 1967"

"Bread, Fish, Fruit"











"Typists"














"Hiroshima Series -- Boy with Kite"




In 2016, I became aware of the work of a student of Jacob Lawrence, Barbara Earl Thomas, and traveled to Bainbridge Island (not far from Seattle) to see an exhibit of her work.  She had studied with Jacob Lawrence, finishing graduate school at University of Washington in 1977, just a few years before I was introduced to his work.

"She makes catastrophe and beauty keep company—the way they actually, unthinkably, do. (from this article).

If you would like to see more of her art work and learn more about her life, I recommend this book:





















As I wait for the inspiration for my next mandala, I feel immense gratitude to these two artists.

Thursday, February 15, 2018

The power of love in action












Jacob Lawrence.



From whiskey river:

"We have not overcome our condition, and yet we know it better. We know that we live in contradiction, but we also know that we must refuse this contradiction and do what is needed to reduce it. Our task as humans is to find the few principles that will calm the infinite anguish of free souls. We must mend what has been torn apart, make justice imaginable again in a world so obviously unjust, give happiness a meaning once more to peoples poisoned by the misery of the century. Naturally, it is a superhuman task. But superhuman is the term for tasks we take a long time to accomplish, that's all.

Let us know our aims then, holding fast to the mind, even if force puts on a thoughtful or a comfortable face in order to seduce us. The first thing is not to despair. Let us not listen too much to those who proclaim that the world is at an end. Civilizations do not die so easily, and even if our world were to collapse, it would not have been the first. It is indeed true that we live in tragic times. But too many people confuse tragedy with despair. "Tragedy," D. H. Lawrence said, "ought to be a great kick at misery." This is a healthy and immediately applicable thought. There are many things today deserving such a kick." (Albert Camus)

Saturday, August 6, 2016

Golden Daylily On Hiroshima Day 2016 / Article 9




















Today I am looking at Jacob Lawrence: Hiroshima Series, scattered through that page of images by Jacob Lawrence.

This morning at breakfast with a diverse group of friends, men and women, a woman friend of mine was wearing a T-shirt, black with white lettering.  On the front:

第九条  日本国民は、正義と秩序を基調とする国際平和を誠実に希求し、国権の発動たる戦争と、武力による威嚇又は武力の行使は、国際紛争を解決する手段としては、永久にこれを放棄する。
二  前項の目的を達するため、陸海空軍その他の戦力は、これを保持しない。国の交戦権は、これを認めない。
On the back:
ARTICLE 9. (1) Aspiring sincerely to an international peace based on justice and order, the Japanese people forever renounce war as a sovereign right of the nation and the threat or use of force as means of settling international disputes.  (2) In order to accomplish the aim of the preceding paragraph, land, sea, and air forces, as well as other war potential, will never be maintained. The right of belligerency of the state will not be recognized.

My friend is Catholic.  She and her husband belong to Pax Christi.  Her husband is active in this organization and brought the Article 9 t-shirt to her from Japan.  The t-shirts were designed by a Japanese woman.  So much to take to heart today.

Tuesday, October 20, 2015

Love Minus Zero / No Limit (To Creativity) / It Takes A Lot To Laugh, It Takes A Train To Cry















"Typists," gouache on paper, by Jacob Lawrence.






From ad:

IBM Watson
thinks with us
to outthink the
limits of creativity.



Working hard at medical transcription editing, creating a new mandala with the Chinese character for "horse" at the center, reconciling with my youngest sister after 12 years of estrangement, taking walks, spending time with friends, reading The Man Who Loved Dogs at the suggestion of an old friend who recently retired from lawyering and says she now has plenty of time for reading, continuing with my yoga practice, sleeping and dreaming.



"Don't the sun look good goin' down over the sea?"
(Bob Dylan, lyrics from "It Takes A Lot To Laugh, It Takes A Train To Cry")

Saturday, April 5, 2014

Common sense and a sense of humor needed















Above is "Typists," a painting in gouache from 1966, by Jacob Lawrence.  I've attached a copy of that painting to the drawer on my work desk.  Jacob Lawrence captured the essence and dignity of the nature of the demanding work many of us now do on computers.

I've started working on an online refresher course so that I can find work later this year.  Although the refresher course will be the equivalent of a full-time job, I plan to continue to volunteer one afternoon a week helping take care of babies in the daycare.  The babies inspire me.  I love them.  I like the freedom that volunteering gives me to just be there for the babies and to help the early childhood educators in whatever ways I can.

Funny to think that the only way I've been able to make a living for any length of time is by typing, and that when I took typing in high school in 1966, it was all I could do to get a "D" grade.

Deja vu.  Pretty scary. With Oboe by my side, I'm going to give typing and editing medical reports at home another try.  One day at a time.  I am good at what I do, but I have let PTSD overwhelm me again and again.  Next time I feel like quitting, I'll think twice and get help to put things in perspective. At my age, I'm not going to get many more chances.

Common sense and a sense of humor are the same thing, moving at different speeds.  A sense of humor is just common sense, dancing.

(William James)


Monday, September 6, 2010

Wednesday, June 9, 2010

What I Do For A Living





















I'm a Production Worker. I assemble and wrap and eat words at home on a computer instead of a typewriter or a conveyer belt. The funniest thing of all is that I like the job and that when I was in high school I got a D in Typing. It's also funny when the voice recognition software concludes that the patient goes to a physican named Dr. Flying Machine.

Jacob Lawrence's Typists, 1966. Gouache on paper, 22 x 30 in.

"They say sing while you slave and I just get bored."
(Bob Dylan)

I don't sing while I slave but I do laugh more than I used to.

Tuesday, December 11, 2007

THE LIBRARY











(source of above image by Jacob Lawrence)

"By and large books are mankind's best invention." (Ursula K. Le Guin)

"I have always imagined that paradise will be a kind of
library." (Jorge Luis Borges)

In Memoriam: Norval Morrisseau. Thanks to wood s lot for the link.

Thursday, February 22, 2007

Calendar Series: 31st Month / Singing Tool with Full Moon Rising (1988)

Try as I might, I was unable to adjust the color of the sky to anything near Payne's Gray. The full moon is rising, hidden by a cloudy Northwest sky. Below is the true sky color. The rest of the colors are fairly true. 


What was it that the tool was singing? The song was written in "code." If I looked at the letters long enough, I would probably remember. Both sides of the tool are singing the same song. The tool was loaned to me by a friend who found it in his parents' garage. It was rusty and beautiful in the way old tools can be. As I recall, it was used in connection with the car his grandfather owned in the 1920s. 

The painter, Jacob Lawrence, having observed carpenters and other builders, said, "It was beautiful to see them use tools as extensions of their hands. I've loved tools ever since. I collect them and I use them as subjects for my paintings." He also said, "Many hand tools haven't changed for centuries. They have such balance and are so functional. The human body is like a tool. Any living thing has this kind of structure." 

In the spring of 1997, there was an exhibit of Jacob Lawrence's work at the Museum of Northwest Art in La Conner, Washington. One of his paintings from his Builders Series, done using gouache on paper and titled "Carpenters," was used on the poster for that exhibit and is one of my favorite paintings in all of art history. 

Lori Witzel from Chatoyance, a lively blog featuring her "pictures, poems and other souvenirs and artifacts," tagged me for my ten favorite movies. Here they are: Cinema Paradiso 400 Blows Smoke Signals The Last Temptation of Christ The Gospel According to St. Matthew (Pier Paolo Pasolini) The Last Waltz Shrek Rabbit Proof Fence Masked and Anonymous Fast Runner I'm not going to tag anyone specifically. Feel free to be tagged for this meme.