Earlier today this photo was brought to my attention here, where I read these words of James Baldwin:
One discovers the light in darkness, that is what darkness is for; but everything in our lives depends on how we bear the light. It is necessary, while in darkness, to know that there is a light somewhere, to know that in oneself, waiting to be found, there is a light.
The photo of James Baldwin reminded me of another photo,
which prompted me to look for the photo of this moment:
*
Young people carrying a 60-year-old song forward:
*
"... Let me drink from the waters where the mountain streams flood
Let the smell of wildflowers flow free through my blood
Let me sleep in your meadows with the green grassy leaves Let me walk down the highway with my brother in peace
Let me die in my footsteps
Before I go down under the ground ..."
-- Lyrics from "Let Me Die in My Footsteps," written by Bob Dylan in March 1962
Far between sundown's finish an' midnight's broken toll We ducked inside the doorway, thunder crashing As majestic bells of bolts struck shadows in the sounds Seeming to be the chimes of freedom flashing Flashing for the warriors whose strength is not to fight Flashing for the refugees on the unarmed road of flight An' for each an' ev'ry underdog soldier in the night An' we gazed upon the chimes of freedom flashing
Through the city's melted furnace, unexpectedly we watched With faces hidden as the walls were tightening As the echo of the wedding bells before the blowin' rain Dissolved into the bells of the lightning Tolling for the rebel, tolling for the rake Tolling for the luckless, the abandoned an' forsakened Tolling for the outcast, burnin' constantly at stake An' we gazed upon the chimes of freedom flashing
Through the mad mystic hammering of the wild ripping hail The sky cracked its poems in naked wonder That the clinging of the church bells blew far into the breeze Leaving only bells of lightning and its thunder Striking for the gentle, striking for the kind Striking for the guardians and protectors of the mind An' the poet and the painter far behind his rightful time An' we gazed upon the chimes of freedom flashing
In the wild cathedral evening the rain unraveled tales For the disrobed faceless forms of no position Tolling for the tongues with no place to bring their thoughts All down in taken-for-granted situations Tolling for the deaf an' blind, tolling for the mute For the mistreated, mateless mother, the mistitled prostitute For the misdemeanor outlaw, chaineded an' cheated by pursuit An' we gazed upon the chimes of freedom flashing
Even though a cloud's white curtain in a far-off corner flared An' the hypnotic splattered mist was slowly lifting Electric light still struck like arrows, fired but for the ones Condemned to drift or else be kept from drifting Tolling for the searching ones, on their speechless, seeking trail For the lonesome-hearted lovers with too personal a tale An' for each unharmful, gentle soul misplaced inside a jail An' we gazed upon the chimes of freedom flashing
Starry-eyed an' laughing as I recall when we were caught Trapped by no track of hours for they hanged suspended As we listened one last time an' we watched with one last look Spellbound an' swallowed 'til the tolling ended Tolling for the aching whose wounds cannot be nursed For the countless confused, accused, misused, strung-out ones an' worse An' for every hung-up person in the whole wide universe An' we gazed upon the chimes of freedom flashing
Still thinking about The Neverending Story and Bob Dylan's Neverending Tour and Charlie Chaplin and "The Dictator."
And current events.
In the end of the book, Bastian cannot remember his own name, but Atreyu (his mirror image) steps in and makes a promise to complete Bastian's unfinished stories.
A younger friend of mine commented that she was mourning the disappearance of Bob Dylan as she listened the cuts that have been released from "Triplicate." She said she was grateful to have all his previous work to listen to. She asked me for an explanation. I don't have one.
All I know is that I keep hearing the sound of Bob Dylan's voice in my mind and my heart. That's good enough for me.
Playing with words today. Triplicate. Threefold. Triptych. Fans. Covers. Prayers like rhymes. Liner notes from "John Wesley Harding": There were three kings and a jolly three too. The first one had a broken nose, the second, a broken arm and the third was broke. "Faith is the key!" said the first king. "No, froth is the key!" said the second. "You're both wrong," said the third, "the key is Frank!
"... With your holy medallion which your fingertips plicate ..."
With your mercury mouth in the missionary times,
And your eyes like smoke and your prayers like rhymes,
And your silver cross, and your voice like chimes,
Oh, do they think could bury you?
With your pockets well protected at last,
And your streetcar visions which you place on the grass,
And your flesh like silk, and your face like glass,
Who could they get to carry you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I put them by your gate,
Or, sad-eyed lady, should I wait?
With your sheets like metal and your belt like lace,
And your deck of cards missing the jack and the ace,
And your basement clothes and your hollow face,
Who among them can think he could outguess you?
With your silhouette when the sunlight dims
Into your eyes where the moonlight swims,
And your match-book songs and your gypsy hymns,
Who among them would try to impress you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I put them by your gate,
Or, sad-eyed lady, should I wait?
The kings of Tyrus with their convict list
Are waiting in line for their geranium kiss,
And you wouldn't know it would happen like this,
But who among them really wants just to kiss you?
With your childhood flames on your midnight rug,
And your Spanish manners and your mother's drugs,
And your cowboy mouth and your curfew plugs,
Who among them do you think could resist you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?
Oh, the farmers and the businessmen, they all did decide
To show you the dead angels that they used to hide.
But why did they pick you to sympathize with their side?
Oh, how could they ever mistake you?
They wished you'd accepted the blame for the farm,
But with the sea at your feet and the phony false alarm,
And with the child of a hoodlum wrapped up in your arms,
How could they ever, ever persuade you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?
With your sheet-metal memory of Cannery Row,
And your magazine-husband who one day just had to go,
And your gentleness now, which you just can't help but show,
Who among them do you think would employ you?
Now you stand with your thief, you're on his parole
With your holy medallion which your fingertips fold,
And your saintlike face and your ghostlike soul,
Oh, who among them do you think could destroy you?
Sad-eyed lady of the lowlands,
Where the sad-eyed prophet says that no man comes,
My warehouse eyes, my Arabian drums,
Should I leave them by your gate,
Or, sad-eyed lady, should I wait?
How can I be useful, of what service can I be? There is something inside me, what can it be? -- Vincent van Gogh (1853-1890)
Welcome to "37TH DREAM (RUMORS OF PEACE)".
The photograph currently at the top of my blog was taken from my porch before sunrise on October 29, 2023.
"OLD GIRL OF THE NORTH COUNTRY" (the earliest name for my blog -- http://oldgirlfromthenorthcountry.blogspot.com
) came to life in early December of 2006 so that I could post a 42-year retrospective of my paintings and drawings and through that action, create a new relationship with the day the man I loved returned from Vietnam in December 1970. For a while (sometime after spring of 2008, which is when he died) my blog was "TALKING 37TH DREAM WITH RAINBOW (RUMORS OF PEACE)". For a number of years, it's been "TALKING 37TH DREAM (RUMORS OF PEACE)." As of April 12, 2017 my blog was titled "37TH DREAM / TALKING 37TH DREAM (RUMORS OF PEACE/LOOKING UP)". Somewhere along the way it became 37TH DREAM (RUMORS OF PEACE).
To begin viewing the retrospective with narrative, scroll down to December 8, 2006, on this page:
I believe that unarmed truth and unconditional love will have the final word in reality. This is why right temporarily defeated is stronger than evil triumphant. -- Martin Luther King, Jr. (1929-1968)
All journeys have secret destinations of which the traveler is unaware. -- Martin Buber (1878-1965)
It is only a little planet, but how beautiful it is.
-- Robinson Jeffers
The true end of a war is the rebirth of life; the right to die peacefully in your own bed. The true end of war is the end of fear; the true end of war is the return of laughter.
-- Alfred Molano
Enjoy every sandwich -- Warren Zevon (1947-2003)
Not in God's wilds will you ever hear the sad moan, "All is vanity." No, we are paid a thousand times for all our toil, and after a single day spent outdoors in their atmosphere of strength and beauty, one could still say, should death come — even without any hope of another life — "Thank you for this most glorious gift!" and pass on.
-- John Muir (1838-1914)
Philip Henslowe: Mr. Fennyman, allow me to explain about the theatre business. The natural condition is one of insurmountable obstacles on the road to imminent disaster. Hugh Fennyman: So what do we do? Philip Henslowe: Nothing. Strangely enough, it all turns out well. Hugh Fennyman: How? Philip Henslowe: I don't know. It's a mystery.
