Showing posts with label Divine Secrets of the Ya-Ya Sisterhood. Show all posts
Showing posts with label Divine Secrets of the Ya-Ya Sisterhood. Show all posts

Saturday, February 14, 2015

Valentine's Day 2015 Meditation




















“Love, that moves the sun and the other stars - L'amor che move il sole e l'altre stelle.”

-- Dante, Paradiso

Above is "Person with Questions" in gouache, water, and chalk pastel on paper, created by me around 1982 during the last years of a marriage I had entered against my better judgement. In 1976 I had married a man I didn't love and had remained in what I then knew as love with a man who was as incapable of love as I was. Still, that man and I were kindred spirits, trauma-bonded by our experiences in connection with the war in Vietnam. 

When I looked through my drawings and paintings for something to post for Valentine's Day today, I noticed the heart-like images to the left of the woman in this painting and wondered why I had not remembered them until I saw the image again. 

In 2008, when my kindred spirit was in the last months of his life in a VA hospital in California, I used this same image a few days before Valentine's Day and then posted this on Valentine's Day. 

Here is my first Valentine's Day post in the first year of my blog. At that time in 2007, early in my blogging days, I had been out of touch with R since early 2003, unable to act as a witness to the alcoholism and drug addiction that continued to destroy him and doing my best to go on with my own life.  2003 was the year he sent me lovely pale purple carnations on the day after Valentine's Day but didn't respond when I tried to thank him and didn't respond when I let him know of my father's death on St. Patrick's Day a little over a month later, and then sent a flower arrangement including red roses on July 3 of that year, the day after what could have been our 35th wedding anniversary.  On that day, I was horrified to find myself feeling no love at all for him, only an anger that I had never dared to feel. I couldn't bear to have the flowers in my home and decided to take them to the chapel at the local hospital and to leave them there. As angry as I felt that day, I couldn't bring myself to throw those flowers in a dumpster. 

Completely letting go of those flowers proved impossible. The next day I went back to the chapel to see if they were still there. For several days, I returned to the chapel and sat looking at them in the silence. Then the day came when I returned, and they were gone, and I felt both sadness and relief. The anger was gone. I assumed that they had wilted and that someone from the housekeeping department had disposed of them.

I'm not sure why I returned to the chapel an additional time a week or more later but as I entered the silence again, I saw dried dark red rose petals arranged in a chaotic way on the disturbed white cloth covering the altar, and I knew they were the same roses R had sent to me, being used by someone else to make a startling statement. As I approached the altar, I saw an 8-1/2 x 11 inch piece of paper with a child's handwriting on it. It was an anguished prayer to God. The girl was asking God to help her alcoholic mother who was in the hospital for life-threatening complications of alcoholism. I could feel the anger the young girl felt in connection with her mother. Somehow, by letting go of those flowers in the most loving way I could imagine while feeling the long-denied anger that turned out to be part of my healing and regaining my ability to love, I was able to pass on to that young girl what she needed to express herself in the best way she could imagine under circumstances that were pushing her to the edge of her own ability to cope.

Have I told this story before? If so, I must have needed to tell it again this Valentine's Day, and thank you for listening again.

Looking at the hearts on the left side of the person with questions today, I remembered writing a poem about an experience I had in a meditation where I suddenly was aware of tiny hearts everywhere. With a little searching of my bookshelves, I found the poem and was surprised to see that I had written it sometime between December 28, 2003, and Good Friday of 2004:

POEM ABOUT SOMEONE AND SOMETHING NEW

Someone breathing
Someone not alone
Someone walking lonely paths
Someone leaving lonely shelters
Someone finding a lonely ocean

Someone feeling Something New
Thousands of tiny hearts
Within the left side of Someone
Someone's right side perfectly empty
Someone's emptiness graceful as sky
Thousands of tiny hearts
Filling half the emptiness
Something loving the emptiness
Emptiness loving Something
Yes and No becoming simple again
Something New becoming emptiness
Emptiness becoming Something New

Something New and emptiness finding Someone
Someone finding the seasons of a lonely path
Someone finding shelter from a lonely storm
Someone finding a lonely ocean

With Someone sleeping, there was still Something New
Still the emptiness, still a path,
Still a shelter, still an ocean.

And Someone waking up
Feeling sacred hearts everywhere
On paths in and out of time
In shelters from a lonely storm
By the lonely and beloved ocean

Hearts bearing sacred cushions
Of loneliness, emptiness, 
And Something New.

As I recall, I wasn't thinking about "Person with Questions" when I wrote that poem, but it describes her well in that moment before she woke up to feel sacred hearts everywhere.

In the past few days, I noticed that the day lily bulbs on my porch are up and that my flowering quince is budding out. Watch for the Red-winged Blackbirds in the cattails. Maybe you can identify some of the other bird voices, including a Steller's Jay:


I'll leave you with a song which I first heard as part of the soundtrack of "Divine Secrets of the Ya-Ya Sisterhood," which tells a story about alcoholism and drug addiction from the perspective of the daughter of a Dexadrine-addicted alcoholic mother whose first love died in a time of war. The mother reminded me of my own mother who also suffered from the effects of using prescription Dexadrine and alcohol. This song from 2002 seems to have planted the seed for the experience I had in meditation and reminds me of what I want to remember as part of Valentine's Day 2015:



And one more thing I came across late in the day today at whiskey river that made me think of one of the gifts R gave to me:

Many love stories are like the shells of hermit crabs, though others are more like chambered nautiluses, whose architecture grows with the inhabitant and whose abandoned smaller chambers are lighter than water and let them float in the sea.

-- Rebecca Solnit, from A Field Guide to Getting Lost




















Monday, October 20, 2014

Bob Dylan The Welder and His Band / "Waiting For You"





























              For the concert by Bob Dylan and His Band at the Paramount Theater in Seattle last night, I sat in Row Y Seat 4, very close to the beautiful ceiling of the Paramount Theater in Seattle:











As I was waiting for the concert to begin, a young man climbed down from Row Z and settled himself in the seat to my right.  He looked at me briefly and then stared straight ahead. He didn't say anything or clap until the intermission and then turned to me and asked if I liked the concert. I said, "Yes." I asked him if he was a Bob Dylan fan. He said, "Yes." I asked him if he had a favorite album. He didn't. I asked when he had first heard Bob Dylan. He said it was when he was in the 10th grade.  He said, "I grew up on Highway 61." I said that I did, too, thinking he was referring to the album "Highway 61 Revisited." Then I realized he meant that he grew up in Minnesota and had lived on Highway 61. I told him that I first started listening to Bob Dylan at the same age he had started listening. I told him I had seen Bob Dylan at the Paramount Theater in early 1980's and that I had first seen Bob Dylan in concert with The Band in Boston in 1974. He smiled tentatively. After the lights came on after the last song, I asked him if this was his first Bob Dylan concert. He said, "Yes." I told him he had chosen a good one. As he was walking down toward the exit, he turned and smiled and said, "Good to meet you. Have a good evening."

There is a feeling of fellowship among people who are drawn to the music of Bob Dylan. 

This was the set list for all three of the Seattle concerts, with the majority of the songs written since 1997:

Things Have Changed
She Belongs To Me
Beyond Here Lies Nothin'
Workingman's Blues #2


Happiness is just a state of mind
Anytime you want you can cross the state line

(Those lyrics are from "Waiting for You," by Bob Dylan, a song that I first heard during the credits for the movie "Divine Secrets of the Ya-Ya Sisterhood."  Apparently there is no official recording except in connection with that movie.)


Duquesne Whistle
Pay In Blood
Tangled Up In Blue
Love Sick
High Water (For Charley Patton)
Simple Twist of Fate
Early Roman Kings
Forgetful Heart
Spirit on the Water
Scarlet Town
Soon After Midnight
Long and Wasted Years

Encore:
All Along the Watchtower
Blowin' In The Wind

Although I had gone to the concert with the thought that this might be Bob Dylan's last tour, I don't think that anymore. My sense was that his energy is better than ever. I didn't feel any sense of nostalgia at this concert. It was about right here, right now -- the present moment with its ups and down. This concert was so much better than the last one I saw in the late 1990's when there was a grinding weariness to the old songs, except when he sang "Girl From The North Country" as an encore. 

From what I saw last night, Bob Dylan is thriving at 73 years old, and that's how I hope to be when I'm 73.