Friday, August 30, 2013

Sacred Work / Quite Early Morning


The goal of singing a song is not to reach the end as quickly as possible.  It is a state of creating harmony, beauty, growth and understanding.  The goal of work, as a sacred art, is to use the need for a product or service to develop the greatest possible power on the object, and the users.  Sacred work puts the mind on service to the heart as well.

(Tom Bender, from Silence, Song and Shadows)



QUITE EARLY MORNING
Don't you know it's darkest before the dawn
And it's this thought keeps me moving on
If we could heed these early warnings
The time is now quite early morning
If we could heed these early warnings
The time is now quite early morning

Some say that humankind won't long endure
But what makes them so doggone sure?
I know that you who hear my singing
Could make those freedom bells go ringing
I know that you who hear my singing
Could make those freedom bells go ringing

And so keep on while we live
Until we have no, no more to give
And when these fingers can strum no longer
Hand the old banjo to young ones stronger
And when these fingers can strum no longer
Hand the old banjo to young ones stronger

So though it's darkest before the dawn
These thoughts keep us moving on
Through all this world of joy and sorrow
We still can have singing tomorrows
Through all this world of joy and sorrow
We still can have singing tomorrows

Words and Music by Pete Seeger (1969)
(c) 1969 by Fall River Music Inc.


Wednesday, August 28, 2013

Tuesday, August 27, 2013

Monday, August 26, 2013

Another Self Portrait (1969-1971) / Talking 37th Dream with Rainbow (2013)

"... 'Copper Kettle' stood out on the original Self Portrait.  Dylan's commitment to this instant folk song -- it was written in 1953 -- was too strong.  But now, with the same vocal, on the undubbed master, you are in a different world. Here, Bob Dylan really does disappear.  1970 disappears.  The sixties never happened.  A moonshiner is telling you why he does what he does:  so he can lie back and think about nothing, forever.  The voice is so clear, so convincing, so plainly the voice of someone who has weighed life's choices and made his, that it shames your own compromises.  With the guitars so slight they could be hands waving in the air and Al Kooper's piping organ, which would be erased on Self Portrait, coming up slowly as the voice of the singer's nighttime dreams, it's as if the words too have disappeared, as if the song doesn't need them, as if the singer can communicate without even opening his mouth, by pure will."

(from the booklet written by Greil Marcus, accompanying the two-CD Another Self Portrait (1969-1971)

Everyone who was there has their own story of the years 1969-1971, when Bob Dylan recorded these songs.  In spring of 1969, my beloved Richard was drafted into the U.S. Army.  We were 19 years old.  He was in Vietnam for year of 1970.  We turned 21 years old in October of that year.  In 1971, we lived through the dark aftermath of his year in Vietnam and separated, "both agreeing it was best," just after our 22nd birthdays that year.  We listened to Bob Dylan's music before, during and after those years.  In one of the last letters I received from Richard, he asked, "How's Bob doing?" My copy of the CD arrived in the mail today.  I'm listening to it right now.

Richard was someone who weighed life's choices and made his.  I have tried not to compromise my life as a result.   I hear Richard's voice in Bob Dylan's voice.  Always have.

I recommend Another Self Portrait (1969-1971) The Bootleg Series Vol. 10.   I can't imagine someone not loving these recordings, but I know by now that not everyone will.

Here's Bob Dylan's 1970 version of "Copper Kettle":



You'll have to buy Another Self Portrait to hear the version without overdubs.  You won't regret it.  I promise.

Friday, August 23, 2013

Thursday, August 15, 2013

If













With the fearful strain that is on me night and day, if I did not laugh I should die.
-- Abraham Lincoln


Well, now time passed and now it seems
Everybody's having them dreams
Everybody sees their self walkin' around with no one else
Half the people can be part right all of the time and
Some of the people can be all right part of the time but
All the people can't be all alright all of the time
I think Abraham Lincoln said that
"I'll let you be in my dreams if I can be in yours", I said that
-- Bob Dylan (lyrics from "Talking World War III Blues")





"Good luck to ya"




Update:  Blue Moon





















Tuesday, August 13, 2013

Saturday, August 10, 2013

Wednesday, August 7, 2013

"Pretty Saro" / Bob Dylan 1970



Looking forward to hearing more of "Another Self Portrait" when it is released on August 27, 2013.


Tuesday, August 6, 2013

He's got a friend who calls him Shaman Perplexy






"It's more like we're Tonto and Tonto."(Thomas-Builds-The-Fire from "Smoke Signals")

One of the best movies ever.

Friday, August 2, 2013

"Lummi Nation Sees No Compromise On Gateway Pacific"





















Read here.

Photo and headline from Bellingham Herald.



May the Lummi message be heard and may Mr. Peabody's coal trains be stopped from shipping coal to China through the proposed Gateway Pacific Terminal.


Wednesday, July 31, 2013

Quileute Canoe Rules


(photo by Harvey Anderson)

Canoe Rules

1. EVERY STROKE WE TAKE IS ONE LESS WE HAVE TO MAKE
Keep going! Even against the most relentless wind or retrograde tide, somehow a canoe moves forward. This mystery can only be explained by the fact that each pull forward is a real movement and not a delusion.
2. THERE IS TO BE NO ABUSE OF SELF OR OTHERS
Respect and trust cannot exist in anger. It has to be thrown overboard, so the sea can cleanse it. It has to be washed off the hands and cast into the air, so the stars can take care of it. We always look back at the shallows we pulled through, amazed at how powerful we thought those dangers were.
3. BE FLEXIBLE
The adaptable animal survives. If you get tired, ship your paddle and rest. If you get hungry, put in on the beach and eat a few oysters. If you can't figure one way to make it, do something new. When the wind confronts you, sometimes you're supposed to go the other way.
4. THE GIFT OF EACH ENRICHES ALL
Every story is important. The bow, the stern, the skipper, the power puller in the middle ‑everyone is part of the movement. The elder sits in her cedar at the front, singing her paddle song, praying for us all. The weary paddler resting is still ballast. And there is always that time when the crew needs some joke, some remark, some silence to keep going, and the least likely person provides.
5. WE ALL PULL AND SUPPORT EACH OTHER
Nothing occurs in isolation. When we aren't in the family of a canoe, we are not ready for whatever comes. The family can argue, mock, ignore each other at its worst, but that family will never let itself sink. A canoe that lets itself sink is certainly wiser never to leave the beach. When we know that we are not alone in our actions, we also know we are lifted up by everyone else.
6. A HUNGRY PERSON HAS NO CHARITY
Always nourish yourself. The bitter person, thinking that sacrifice means self‑destruction, shares mostly anger. A paddler who doesn't eat at the feasts doesn't have enough strength to paddle in the morning. Take that sandwich they throw at you at 2.00 AM.! The gift of who you are only enters the world when you are strong enough to own it.
7. EXPERIENCES ARE NOT ENHANCED THROUGH CRITICISM
Who we are, how we are, what we do, why we continue, flourish with tolerance. The canoe fellows who are grim go one way. The men and women who find the lightest flow may sometimes go slow, but when they arrive they can still sing. And they have gone all over the sea, into the air with the seagulls, under the curve of the wave with the dolphin and down to the whispering shells, under the continental shelf. Withdrawing the blame acknowledges how wonderful a part if it all every one of us really is.
8. THE JOURNEY IS WHAT WE ENJOY
Although the start is exciting and the conclusion gratefully achieved, it is the long, steady process we remember. Being part of the journey requires great preparation; being done with a journey requires great awareness; being on the journey, we are much more than ourselves. We are part of the movement of life. We have a destination, and for once our will is pure, our goal is to go on.
9. A GOOD TEACHER ALLOWS THE STUDENT TO LEARN
We can berate each other, try to force each other to understand, or we can allow each paddler to gain awareness through the ongoing journey. Nothing sustains us like that sense of potential that we can deal with things. Each paddler learns to deal with the person in front, the person behind, the water, the air, the energy; the blessing of the eagle.
10. WHEN GIVEN ANY CHOICE AT ALL BE A WORKER BEE MAKE HONEY
The Ten Rules of the Canoe were developed by the Quileute Canoe contingent for a Northwest Experimental Education Conference in 1990.

Saturday, July 27, 2013

Bob Dylan, Wilco, and My Morning Jacket singing "The Weight"



Bob sounds good to me!  They all sound good.  This song has lasting power.

Friday, July 26, 2013

"Gracias a la vida" / Summer sky near the Salish Sea


"When you look back on a lifetime and think of what has been given to the world by your presence, your fugitive presence, inevitably you think of your art, whatever it may be, as the gift you have made to the world in acknowledgment of the gift you have been given, which is the life itself. That work is not an expression of the desire for praise or recognition, or prizes, but the deepest manifestation of your gratitude for the gift of life."
 - Stanley Kunitz


Thanks so much to whiskey river for the quote for today.




It has occurred to me that my blog is nothing if not an ongoing expression of gratitude.


Tuesday, July 23, 2013

Sacred Journey / Paddle to Quinault 2013






Watch a short video here about the Paddle to Quinault 2013.

Take a look at the map of the Canoe Journey route here.  Look for Cowichan Bay on the eastern side of lower Vancouver Island. Bellingham and the Lummi Nation are almost directly east of the Cowichan First Nation.

Here's some footage from the Paddle to Lummi Canoe Journey in 2007:




Monday, July 22, 2013

Creation Story Told By Tom Sampson Of Tsartlip First Nation



"Tom Sampson shares the Creation Story with 800 people at the "What About Those Promises?" stage play premier on Saturday, June 1, 2013, Bellingham High School Auditorium." (from the Lummi Nation YouTube channel)

Listen through to the English translation at 4:40.


Saturday, July 20, 2013

The Things We Carried

Ever since I heard that there was going to be a showing of a movie of a fairly recent book talk by Tim O'Brien on The Things They Carried (first published in 1990), I considered whether I should go see the 1-hour movie with a discussion afterward.  The movie was part of a series called "Writers in the Limelight," presented by Village Books (Bellingham's independent book store) at the tiny Limelight Cinema in downtown Bellingham.

Since 2006 when I began this blog, I've come a long way with the things I've carried in the wake of the Vietnam War, and I questioned the wisdom of visiting those memories today.  After a walk with a friend down by Bellingham Bay this morning and meeting with a group of friends afterward, I decided to risk opening old wounds in the hope of finding some healing for those old wounds.

Outside the theater, I recognized a Vietnam veteran who speaks in the local schools as a member of Veterans for Peace.  There were two other men of similar age along with a few women who looked to be in their 60s.  The event was sparsely attended.  There may have been a few younger people, but most of the men and woman appeared to be in their 60s or older.  After the movie, there was a short discussion facilitated by one of the booksellers from Village Books.

It was a wise decision for me to be there today.  I can look back, look at the present, and also look forward without the haunted feeling that I lived with for so long.

What I've posted below is a similar recent book talk on The Things They Carried.  It's worth listening to.  After an introduction, Tim O'Brien begins speaking at about 3:40:

Thursday, July 18, 2013

Twelve Gates to the City / AmericanaramA


Bob Dylan sounds to be in fine fettle for the AmericanaramA Festival of Music:



Earlier versions of "Twelve Gates to the City":









and a Dave van Ronk version which slips into "In My Time of Dying":



and a Joan Baez version:

Tuesday, July 16, 2013

A Conversation with Saginaw Grant / Another Self-Portrait by Bob Dylan


Saginaw Grant (Chief Big Bear in "Lone Ranger") said, "I would suggest to the people who will read this that they go see The Lone Ranger.  It's not what we've seen in the past.  It's going to be completely different. That's what's going to make it different. It's not the way we were portrayed in the past episodes of the old Lone Ranger.  You have to see it to understand it, and to really see what we've done.  I encourage especially our Native people to come and watch it."

It has just occurred to me that Gore Verbinski's "Lone Ranger" reminds me of all those years of songs by Bob Dylan that have been in my mind and heart since I was 14 years old, fifty years ago.  No wonder I keep thinking about the movie.  No wonder most movie critics are giving it terrible reviews.  It's a movie that either speaks to you or it doesn't.

Well, the Lone Ranger and Tonto
They are ridin' down the line
Fixin' ev'rybody's troubles
Ev'rybody's 'cept mine
Somebody musta tol' 'em
That I was doin' fine
(Bob Dylan's Blues, 1963)

Just heard about "Bob Dylan: The Bootleg Series Vol. 10 (1969-1971)" which will be released on August 27: